‘On The ‘Brink Installation Art Festival’ 2024     Queenston, ON

A LAND DIVIDED  TRACING THE INVISIBLE LINE 

The concept of boundaries, both visible and invisible, is a fascinating aspect of human civilization. These demarcations, often drawn on maps as mere lines, hold significant power and influence over the way we perceive and interact with the world around us. They dictate not just the physical extent of territories, but also embody the historical, cultural, and political narratives that have shaped societies. The act of tracing these lines is not just a cartographic exercise; it is a way of acknowledging and understanding the diverse stories that have converged to form the tapestry of human experience. As we delineate borders, we are not merely segmenting land; we are recognizing the unique identities and histories of the people within those borders. This process of threading together the invisible lines that define our communities is a testament to the complex interplay of geography and identity. It highlights the importance of maps as tools for navigation and as documents of our collective journey through time and space. In essence, the invisible lines that thread through the land are as real and consequential as the tangible roads and rivers that they intersect, shaping the way we live, govern, and relate to each other and to the land itself. 

Imagine a site-specific art installation, respectfully mounted on the grass of RiverBrinks inviting green space. Prepared and executed on site. This unique piece is designed as a short-term installation. The installation aims to appear almost invisible yet coalescent in its presence. Crafted with materials that seemingly disappear into the environment, indicating the tangible yet unseen lines that define the land. It invites onlookers to ponder its meaning, engaging the mind in a silent dialogue. Pioneering in its form, offering an experience that pushes the boundaries of art, space, and thought.